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Tickets are still available Click the desired date for tickets. RL is bringing the NOVA Tour to Terminal 5 on back-to-back nights- Saturday Nov. ‘Shoulda’ is a bleary-eyed Knight Rider on Prozac banger that burns through its three-minute run time relentlessly while the strings of ‘Run For Your Life (interlude)’ are a lucid day-dream soundscape that provides necessary respite. For those of us here in the big apple, he’s got 2 shows lined up. It might not be cutting edge, but it’s sure to garner a reaction in the clubs this record is tailored towards.Īt a lengthy 55-minutes long and with few nods to subtlety, ‘NOVA’ can feel like an overbearing assault on the senses, but it finds its sweet spots when the guest features are dropped and Steinway’s ear for production takes the spotlight.
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Despite these weighty names, it’s ‘Shrine’ with Freya Ridings that stands out as her rich vocals hit home over a splashy sugar-coated melody reminiscent of a Sub Focus number from about eight years ago. Check out the dates and locations down below: RL Grime tour dates Feb 16 Las Vegas, NV Intrigue Nightclub Feb 17 San Diego, CA LED Anniversary VIII Feb 17 San Diego, CA Hard Rock Hotel Feb 23 Mexico City, MEX EDC Mexico Feb 27 Las Vegas, NV Intrigue Nightclub March 2 Las Vegas, NV Intrigue Nightclub March 10. The most notable aspect of ‘NOVA’ is the abundance of high profile guest spots including Ty Dolla $ign, Miguel, Tory Lanez and more. Nguyn Vn Ton 09 thng 09,2017 D kin tour din ny s rt 'chy' bng vic anh 'ng gi' thm mt vi ngi bn y ti nng trong tour din sp ti ca mnh. Opener ‘Feel Free’ has the breezy percussion of ‘Black Sands’-era Bonobo but the subaquatic hyper-pitched vocals of a MssingNo track and the result is as hypnotising as it is unexpected – for the first minute at least until it descends into bottom end absurdity before scaling it back again. Nova Tour - tour din cng tn vi Album sp c ra mt ca The Lord of 808 - RL Grime. ‘NOVA’ is the complete antithesis to this – for better or worse, and occasionally both. Its consistent theme, however, was its pull towards dance music’s darker end of the spectrum. ‘VOID’ was a record which just about toed the line between explosive trap and comedic festival crowd pleasers, but it also showcased Steinway’s versatility for other sounds from occasional D&B licks to bass-heavy, sample-ridden rumblers.